As in his paintings, shaded fields of colour meet and coalesce. Andreas Eriksson works with textures printed from multiple plates to bring forth a play between ambiguous light and dark forms in the final print.
Marie Rud Rosenzweig and Anna Stahn have created a series of prints revolving around femininity and horror. A shared interest in the widespread appeal of the unpleasant as entertainment sparked the idea for a joint series of prints.
You can either give a nominated amount to buy a print of their choice, or a half year membership of BORCH Collective to experience a range of original prints at home.
The theme of Two Suspects revolves around the feminine in a world where the fascination for true crime, violence and the uncanny is significantly present in entertainment culture.
Orupabo has consistently reminded us of the power of the gaze and the impact of images by letting figures re-emerge as active subjects that refuse to be objectified. Clover I and II depict the actress Carol Speed portraying the title character in the 1974 blaxploitation horror movie Abby.
Douglas Gordon’s series August 12, 1999 is currently on view at ARoS as part of a group exhibition exploring the ways artists have considered and been inspired by the vast spaces and events of the universe.
In a new series of monotypes, Linde Busk conveys a wide range of individual aesthetic expressions and atmospheres, which hint at an overarching narrative without ever proposing a specific reading.
BORCH Editions presents original prints by Mamma Andersson (SE), Tacita Dean (UK), Andreas Eriksson (SE), Wardell Milan (US), Frida Orupabo (NO) and Danh Vo (DK/VN)
In three etchings Mamma Andersson expresses haunting moods of quiet mystery, and subtle connections appear through their colours and scenic atmospheres.
BORCH Editions is delighted to present Nightshades, a series of unique prints by Peter Linde Busk in our showroom.
The exhibited artists’ projects touch on the phenomenon of memories from a materially as well as thematically and culturally point of view.
The exhibition focuses on the complex relationships that take place within the sphere of the home, central to our everyday life and in the creation of our identity.
Niels Borch Jensen in conversation with art historian and art critic Trine Ross Wednesday 21 August 6.30 — 7.30 pm
BORCH Editions’ presentation showcases the diverse ways in which contemporary artists explore the possibilities of different printmaking techniques from the point of view of their respective practices. The presentation includes recent prints by Mamma Andersson, Nanna Debois Buhl, Peter Linde Busk, Ann Lislegaard, Wardell Milan, Frida Orupabo, and Maria Wæhrens.
A presentation of Swedish Artist Jockum Nordström’s latest print projects includes multi-coloured etchings and monoprints. BORCH Editions Showroom reopens after a summer break with a presentation of Jockum Nordström’s latest […]
BORCH Editions’ Art Basel 2024 presentation showcases the collaborating artists’ wide range of conceptual and technical approaches to printmaking.
The exhibition brings together new large-scale photogravure prints, collages and sculptures by Frida Orupabo.
Wardell Milan’s large-scale prints are complex, multi-layered compositions that combine a myriad of etching techniques with linocuts and woodcuts.
BORCH Editions is pleased to present recent print projects by Andreas Eriksson, Wardell Milan, Jockum Nordström, Frida Orupabo, Tal R, and Maria Wæhrens.
Frida Orupabo renegotiates questions of representation in three large-scale photogravures based on digital collages.
The group exhibition More Human Than Human brings together recent print projects by Nanna Debois Buhl, Adam Jeppesen, Ann Lislegaard, and Fiona Tan.
The exhibition Kolossal presents print projects by Tacita Dean, Olafur Eliasson, Per Kirkeby and Matt Saunders among others.
Grotesque figures in old-fashioned clothes, equipped with props such as top hats and pipes, inhabit dream-like spaces whose proportions do not obey the laws of the physical world.
Nanna Debois Buhl in conversation with astrophysicist Anja Cetti Andersen Wednesday 24 April 5.30 — 6.30 pm
Pinault Collection presents Julie Mehretu. Ensemble at Palazzo Grassi in Venice.
New monotypes and monoprints by Maria Wæhrens on view.
Nanna Debois Buhl’s exhibition at Kunsthal Aarhus presents a series of artworks related to her practice-based PhD project ‘Picture the Sky: Cosmic Code, Images, and Imaginaries’
Maria Wæhrens in conversation with curator Mai Dengsøe Saturday 2 March 2 — 3 pm
Maria Wæhrens’ one-week exhibition ‘I Take Care of You and Me’ features a series of new monoprints and monotypes.
Maria Wæhrens’ artistic impulse stems from those layers of consciousness that elude language and are difficult to grasp through the means of figurative art. Wæhrens draws from sources that go beyond what is intellectually comprehensible – the body, emotions, and the subconscious – and transfers them into permanent physical manifestations.
The flickering imagery in Nanna Debois Buhl’s new prints depicts matter that is normally too microscopic to grasp, and too foundational to comprehend.
BORCH Editions is delighted to present the latest print project by Trine Søndergaard in our Copenhagen Showroom.
Tacita Dean solo exhibition at the Museum of Contemporary Art, Australia.
Like in his paintings, Eriksson’s choice of colours radiates intention. Nevertheless, the etching’s colour palette is surprising, ranging from soft, muted pastel shades to strikingly bright, almost neon-like tones. The patchwork of colour fields can be read as geological forms, patches of grass, bushes, or trees; the overall composition evokes a sense of the landscape.
A review of Tacita Dean’s recent exhibition Geography Biography at the Bourse de Commerce – Pinault Collection, will appear in the Australian printmaking magazine Imprint.
While Tal R’s 2023 woodcuts are not directly related to each other, they share a common motif: all three prints depict ephemeral natural phenomena that are either barely perceptible or might normally escape our attention.
Ann Lislegaard created the imagery for her photogravure Animoid with the help of AI language models. Using text, Lislegaard prompted the software to generate an image. Instead of presenting BORCH Editions’ printmaking studio with a final version of this image, she kept adjusting it during her exchange with the master printers, discussing different versions and integrating their feedback into later versions.
Huma Bhabha’s exhibition at MO.CO. ‘A fly appeared, and disappeared’ features ‘Leochicospeedy’, a series of ten photogravures made with BORCH Editions in 2016.
The exhibition ‘Six Paintings’ explores Matt Saunders and Daniele Genadry’s sustained engagements with photography and film, and the way in which they employ these mediums to further evolve the field of painting. The exhibition features six paintings, in addition to a selection of drawings, and prints from BORCH Editions.
BORCH Editions’ presentation of prints by Tacita Dean features ‘Telomere 4’, a large-scale photogravure with screenprint created for her 2023 exhibition at the Pinault Collection’s Bourse de Commerce in Paris, alongside a selection of other recent printmaking projects.
Purgatory, the second book of Dante Alighieri’s The Divine Comedy, describes Dante ascending Mount Purgatory on his journey towards heaven. After Inferno (2017-18), a two-year printmaking tour de force that resulted in an extensive portfolio […]
In Nordic Design, a series of multi-coloured woodcuts, Idun Baltzersen depicts interior scenes from her own home, populated by the nuclear family that is herself, her partner and their child.
BORCH Editions’ Frieze London 2023 booth features Tal R’s Weather Report, his first ever endeavour into monotype printmaking. The presentation also includes recent printmaking projects by Tacita Dean, Ragnar Kjartansson, Jockum Nordström, Trine Søndergaard, and Fiona Tan.
Tacita Dean’s photogravure project The Russian Ending is part of the comprehensive group exhibition Dix and the Present at Deichtorhallen Hamburg’s Hall for Contemporary Art.
Considering Tal R’s productivity and willingness to experiment, it is all the more notable that Weather Report is his first exploration of monotypes. His Weather Report monotypes depict the felled trees, light and colours of an eye-shaped clearing in a Danish forest.
In Ragnar Kjartansson’s hands, monotypes become an artistic tool for investigating a visual idea in the form of a series, exploring a theme and its variations to the point of […]
Nordic Design, a series of four woodcuts by Idun Baltzersen, is now on view in BORCH Editions’ Copenhagen showroom.
Ragnar Kjartansson’s woodcut Creative Space is related to his works on privileged 21st century uneasiness like Scandinavian Pain and Scenes from Western Culture. Kjartansson’s prints demonstrate his curiosity about the technical and aesthetic possibilities […]
Søndergaard’s Blind Side photogravures are refined, serene images of what appears to be a totemic minimalist sculpture, captured from different angles
BORCH Editions’ CHART 2023 participation features recent prints by Nordic artists Ragnar Kjartansson, Jockum Nordström, Trine Søndergaard, and Alexander Tovborg. The presentation will furthermore include Fiona Tan’s 2022 Technicolor Dreaming prints.
The barren landscape in Kjartansson’s etchings is at once frighteningly lonely and strikingly beautiful.
The Tacita Dean’s photogravure DANTE accompanies the release of the music score DANTE by Thomas Adès.
Five new photogravures feature in Trine Søndergaard’s solo exhibition of prints and photographs titled Blind Side. Opening on 10th June 2023, this exhibition inaugurated the new contemporary art space, Umbrella […]
Tacita Dean describes Telomere 1–4 as a ‘found mark project’, where she traced, copied, and accumulated the scratches over the four prints. The images of the four pieces that make up Tacita […]
For her etchings and monotypes, Emma Kohlmann draws on an archive of figures and motives she has developed in her practice as a painter.
A significant exhibition of new work by Tacita Dean is currently on display at the Bourse de Commerce, Pinault Collection, Paris. Titled Geography Biography, the exhibition explores slow time in […]
Emma Kohlmann draws on an archive of figures and motives she has developed in her practice as a painter.
Tacita Dean
Andreas Eriksson
Ragnar Kjartansson
Jockum Nordström
Fiona Tan
Julie Mehretu’s Epigraph, Damascus (2016) is on display for the first time at MoMA, New York, as part of their collection exhibition. Curator Starr Figura has chosen to feature this […]
Fiona Tan discusses the relevance of physical materials in an interview with Nanna Rebekka for Louisiana Channel. The interview was recorded at BORCH Editions in Copenhagen, Denmark in November 2022, while Tan was working on Technicolor Dreaming, a series of six photogravures / etchings.
BORCH Editions’ 2023 Market presentation will feature prints by Idun Baltzersen, Andreas Eriksson, Per Kirkeby, Jockum Nordström, and Fiona Tan.
Nordström’s prints tell mysterious, melancholic and humorous narratives, offering glimpses into an internal dialogue collaged from the artist’s own lived experience.
For Meditation Copenhagen, a suite of twelve etchings, Jorinde Voigt limited herself exclusively to the drypoint technique.
The characters in Anna Stahn’s universe appear carefree and removed from the problems of contemporary life.
Fiona Tan’s Technicolor Dreaming photogravures are informed by her interest in early filmmakers’ obsession with colour.
Undulating soft gradients of tone form an intuitive landscape of shadows and colours.
BORCH Editions is pleased to present ‘From the Shadow Land,’ an exhibition of prints by Danish artist Adam Jeppesen at our Berlin Gallery.
The opening is part of Charlottenwalk on 26 November.
Visit the studio for this limited offer and learn more about original prints, while our master printers are working at the presses.
We offer framed prints from our Berlin gallery storage for the unframed price during the whole month of November.
BORCH Editions is delighted to participate in the IFPDA print fair’s online iteration with Wardell Milan’s ‘The Balcony’.
The IFPDA print fair hosts a conversation between Niels Borch Jensen and Susan Tallman, moderated by artist Matt Saunders.
Hannah Heilmann in conversation with author Liv Sejrbo Lidegaard. Visit the studio Wednesday 26 October 6 — 7 pm
For the 2022 edition of Frieze London, BORCH Editions present newly released large-scale monotypes by Per Kirkeby, an off-set lithography print project by Tacita Dean, a series of photogravures by Danh Vo, a suite of etchings by Wardell Milan, and selected prints by Tal R and Mamma Andersson.
Liminality is a new etching printed from three plates, in a colour arrangement of a rich orange, contrasted with a vivid blue and silvery-grey.
We are delighted to present new editions by Hannah Heilmann, Marie Rud Rosenzweig, and Alexander Tovborg in our Showroom.
Marc-Christoph Wagner met Wardell Milan for Louisiana Channel while working on ‘The Balcony’ which sheds light on recent social and political developments in the United States and the world as a whole.
Alexander Tovborg’s portfolio of 37 etchings is inspired by each specific canto (verse) of Inferno, first book of Dante’s Divine Comedy from 1320
BORCH Editions is delighted to present ‘The Balcony,’ a printmaking project in two episodes by the US-American artist Wardell Milan, at our Berlin Gallery. Opening on Friday, 16 September, 6 – 9 pm
BORCH Editions is pleased to publish a series of etchings by Hannah Heilmann. Working with master printer Mette Ulstrup, Heilmann has created a portfolio of five etchings that stem from the artist’s research-based practice. The prints encapsulate a perennial topic of the artist’s research – the cultural history of clothing and the desire-driven economy surrounding it.
For the 2022 edition of Chart Art Fair, Copenhagen, BORCH Editions is excited to present two vast print projects by Tacita Dean and Alexander Tovborg.
Tacita Dean’s eight part photogravure, Inferno (2021), will be presented as part of her solo exhibition at Mudam Luxembourg – Musée d’Art Moderne Grand-Duc, from 9 July 2022 until 29 […]
Anna Stahn renders a storefront and invites the viewer to go window shopping, perusing the display of garments and underwear.
For the 2022 edition of Art Basel, BORCH Editions is excited to present a series of photogravures by Tacita Dean, etchings by Mamma Andersson, and selected works by Per Kirkeby, Ragnar Kjartansson, and Wardell Milan.
Milan first initiated The Balcony by creating a suite of eight etchings in 2019, marking the first part of the series. A second suite of eight etchings with the subtitle The World is Made of Eggs, extends the portfolio in 2022.
BORCH Editions are delighted to present the first solo collaboration with the Danish artist, Trine Søndergaard, in our Berlin gallery. Along with those six photogravures, we show a print project by Eva Löfdahl and a collaborative photogravure project by Trine Søndergaard and Nicolai Howalt.
We are delighted to present selected print projects by Per Bak Jensen, Clay Ketter, Tal R, Anna Stahn, and Alexander Tovborg in our Showroom.
Visit the studio and meet the artist Thursday 19 May 5 — 6 pm
For the 2022 edition of Market Art Fair in Stockholm, BORCH Editions will present recent projects from our print studio: etchings by Mamma Andersson, woodcuts and etchings by respectively Ragnar Kjartansson and Tal R and a suite of photogravures by Trine Søndergaard.
The figures in the etchings Mademoiselle and Madame stem from Mamma Andersson’s image archive: two women emerge from a former time in an assemblage of backgrounds and textures.
In Adam Jeppesen’s triptych Tyler H, large ominous eyes slowly appear from a scattering of random marks and tones. The large-scale print is related to a series of transitory portraits titled Amos.
BORCH Editions will present original prints by Ragnar Kjartansson, Tal R, Thomas Scheibitz, and Trine Søndergaard for Art Düsseldorf 2022.
Visit the studio and meet the artist Saturday 2 April 2 — 3pm
Tacita Dean’s print project ‘Antigone (offset),’ 2021, relates to Dean’s hour long 35mm double Cinemascope film work ‘Antigone,’ 2018, which was created for her 2018 exhibition at The Royal Academy in London, and has since travelled to Glyptotek, Copenhagen, and Kunstmuseum Basel.
BORCH Editions is delighted to present Tacita Dean’s most recent print project, ‘Antigone (offset),’ 2021, together with ‘JG (offset),’ 2013, at BORCH Gallery in Berlin.
Oscar Gilberto tells BORCH Editions’ story in an article for CHART Art Fair.
BORCH Editions is delighted to present print projects by Per Kirkeby, Michel Majerus, and Tal R in our Showroom.
Anna Stahn’s two etchings Newspaper print and Love letter are based on different ways of communicating messages.
The prints Hound, Jerry, Lady Marion’s Veil and Suggestive kneeling marks the artist’s first collaboration with BORCH Editions.
Tacita Dean’s Expulsion from Paradise is the fourth and final contribution to BORCH Editions’ anniversary series, printed by Niels Borch Jensen.
Four anniversary prints and a selection of original prints by Mamma Andersson, Tal R and Matt Saunders
The curatorial collective pro tempore.art facilitated a week-long residency at BORCH Editions’ studio for four emerging artists.
Book launch with a conversation between Niels Borch Jensen and Maria Kjær Themsen, at 5pm on 30 November.
In celebration of the book publication No Plan at All: How the Danish Printshop of Niels Borch Jensen Redefined Artists’ Prints for the Contemporary World, BORCH Gallery, Berlin, presents prints from the printmaking studio’s extensive history since 1979.
We are excited to present our first collaboration with Ragnar Kjartansson at BORCH Gallery, Berlin.
pro tempore.art will facilitate a week-long residency at BORCH Editions’ studio. Four emerging artists are invited to come and work with our team of master printers.
Dean’s most recent print projects ‘Inferno’ and ‘Antigone (offset),’ both 2021.
Tacita Dean’s Inferno, 2021, is a ten-metre print of a mountainous panorama, made in eight parts.
BORCH Editions launches new art club – a unique opportunity to experience art at home.
No Plan at All: How the Danish Printshop of Niels Borch Jensen Redefined Artists’ Prints for the Contemporary World
For the 2021 edition of Frieze London, BORCH Editions will present recent projects by Tacita Dean, Ragnar Kjartansson, Julie Mehretu, Wardell Milan, Fiona Tan, and Danh Vo.
In the conversation with curator and art advisor Gilles Neiens, Ragnar Kjartansson talks about selected prints from the portfolio ‘Repent’, a suite of twenty-five etchings, and the seven large-scale woodcuts from the ‘Fire’ series.
For the 2021 edition of Art Basel, BORCH Editions present large-scale prints by Julie Mehretu, a new offset print project by Tacita Dean, as well as a series of etchings by Wardell Milan
In the conversation with curator and art advisor Gilles Neiens, Kjartansson talks about selected prints from the portfolio ‘Repent’, a suite of twenty-five etchings, and the seven large-scale woodcuts from the ‘Fire’ series.
In our Copenhagen Showroom, we present a selection of large-scale etchings from Matt Saunders’ series Ratlos /Indomitable I-V, 2017
In the conversation with Jenny Graser, curator at Kupferstichkabinett (Museum for Prints and Drawing) in Berlin, Mehretu speaks about the creation of the four prints, the background of the titles, and the significance of printmaking for her practice.
Get an insight into the activities at BORCH Editions’ printmaking studio. In this video we follow the process of printing a series of black and white photogravures by Trine Søndergaard.
Get a glimpse of the production for Tal R’s project ‘Blomster uden titel’ (Untitled Flowers), 2021. Each of the five prints in the suite depict a bouquet of flowers picked by Tal R from around his home in the Danish countryside.
BORCH Editions is delighted to present the group exhibition Synergies in Berlin, opening Friday 13 August 2021
Wardell Milan, Tal R & Trine Søndgaard. Three print projects from three standpoints, each highlighting the art of printmaking in its most genuine form.
Each of the five prints in the suite Blomster uden titel depict a bouquet of flowers picked by Tal R from around his home in the Danish countryside.
A selection of etchings and monotypes by John Zurier on view in our Showroom.
Visit the studio and meet the artist Wednesday 19 May at 16.00 or 17.00
We are delighted to show a solo presentation of Ragnar Kjartansson’s first print projects during the online edition of the IFPDA Fair.
In the conversation with Jenny Graser, curator at Kupferstichkabinett (Museum for Prints and Drawing) in Berlin, Mehretu speaks about the four prints from ‘Slouching Towards Bethlehem.’
BORCH Editions present ‘Slouching Towards Bethlehem’ by Julie Mehretu as part of Gallery Weekend Berlin.
Trine Søndergaard has created a series of six portraits of women whose faces are covered by their draped hair.
Visit BORCH Editions’ Showroom and experience Trine Søndergaard’s photogravures.
Take a sneak peek into the production of Julie Mehretu’s 2021 print project ‘Slouching Towards Bethlehem.’ In the chromatic large-scale prints, Julie Mehretu combines photogravure with classic intaglio printing techniques.
BORCH Gallery & Editions are delighted to present Tal R’s most recent print projects Adidas Boy (2020) and : tingsted (2019) in Berlin.
We are delighted to share an Online Viewing Room with Tal R’s print project ‘Adidas Boy’ (2020). The viewing room is hosted by IFPDA.
We are delighted to share an Online Viewing Room with selected etchings and monotypes by John Zurier.
A suite of nine prints by Virginia Overton are currently part of the group exhibition Nothing Is So Humble: Prints From Everyday Objects
Explore an Online Viewing Room with Per Kirkeby’s monoprints from 2017.
Visit BORCH Editions’ Showroom and experience Ragnar Kjartansson’s first printmaking projects.
Marta Herford Museum presents Quarantania, 2018 as part of their exhibition ‘Deceptive Images’.
Ragnar Kjartansson’s first collaboration with BORCH Editions simultaneously marks his first exposure to the medium of printmaking. It resulted in a suite of twenty-five etchings and seven large-scale woodcuts.
The suite of twenty-five etchings is a collection of self-contained vignettes; poetic, comical, sometimes absurd scenes combining image and text.
In four chromatic large-scale prints Julie Mehretu combines photogravure with classic intaglio printing techniques.
Watch the recording of the virtual studio visit and live printing of Julie Mehretu’s series Slouching Towards Bethlehem (2020) as part of IFPDA’s print month on 15 October 2020.
Epigraph, Damascus currently on view at High Museum of Art in Atlanta, Georgia.
BORCH Gallery & Editions are delighted to present a series of monoprints by the late Danish artist Per Kirkeby (1938–2018).
In The Balcony Milan explores the absurdity of politics, social and political structures, power dynamics and spectatorship and how these forces affect one’s personal existence.
BORCH Gallery & Editions is delighted to participate in the IFPDA Print Month from 7 October through 1 November. It is the first hybrid online/in-person edition with daily live events with printmakers, print curators, artists, and collectors.
Ragnar Kjartansson has been working on new etchings and woodcuts at our Copenhagen print studio throughout the past year.
BORCH Gallery is delighted to present photogravures and the video installation ‘Elsewhere’ (2018) by Fiona Tan in the exhibition ‘Ideas of Utopia’.
BORCH Gallery is delighted to present the exhibition ‘Ideas of Utopia’ with photogravure projects and the video-installation ‘Elsewhere’ (2018) by Fiona Tan as part of Gallery Weekend Berlin 2020.
BORCH Gallery & Editions are pleased to present woodcuts and etchings by Copenhagen-based Israeli artist Tal R for LOPF – London Original Print Fair’s Online Viewing Rooms.
This year’s CHART Art Fair has been adjusted to the current situation and will take place at local venues across the Nordic capital cities and online. At our Copenhagen print studio we invite visitors to come and experience the art of printmaking. In our showroom, we present print projects by Tacita Dean while the master printers in the studio are working on a new series of prints by Julie Mehretu.
BORCH Editions is excited to present Tal R’s most recent print projects ‘Adidas Boy’ (2020) and ‘: tingsted’ (2019) at the Copenhagen Showroom. The presentation coincides with Tal R’s solo exhibition at Ny Carlsberg Glyptotek in Copenhagen.
‘Abstraction allows man to see with his mind what he cannot see physically with his eyes… Abstract art enables the artist to perceive beyond the tangible, to extract the infinite out of the finite. It is the emancipation of the mind. It is an exploration into unknown areas.’–Arshile Gorky
BORCH Gallery & Editions is delighted to present selected print projects by Al Taylor, Alan Uglow, Stanley Whitney, and John Zurier at its Berlin gallery space.
BORCH Gallery & Editions just released a new booklet for Tal R‘s print project Adidas Boy (2020).
Berlin galleries open their doors.
BORCH Gallery is delighted to participate in the second edition of SUNDAY OPEN organised by INDEX.
BORCH Gallery & Editions is pleased to participate in the Art Basel Online Viewing Rooms through 26 June 2020. We present recent projects by Mamma Andersson, Wardell Milan, and Tal R. On view is also a selection of noteworthy print projects from the archives of BORCH Gallery & Editions.
The imagery for Tal R’s Adidas Boy, a suite of 24 woodcuts, is based on a group of bronze sculptures created for his 2020 solo exhibition at Ny Carlsberg Glyptotek in Copenhagen.
BORCH Gallery is delighted to participate in the inaugural SUNDAY OPEN organised by INDEX.
The largest international art fair celebrating printmaking has been postponed to October 2021. Instead, the fair has moved online 13 May – 14 June 2020 at artsy.com
BORCH Gallery & Editions is pleased to participate in the inaugural IFPDA Online Fine Art Print Fair 2020.
BORCH Gallery & Editions is delighted to present print projects by Tacita Dean, Ólafur Elíasson, Robin Rhode, Matt Saunders, Thomas Scheibitz, and Danh Vō.
The common denominator for all six is Berlin: The city they live and work in. This presentation aims to celebrate the city in a discreet but invigorating way, a ‘Welcome back, Berlin.’
BORCH Gallery & Editions is pleased to announce an Online Viewing Room of Tal R’s recent portfolio : tingsted. The Online Viewing Room is hosted by the IFPDA.
The Graphic Collection of ETH Zurich published a text about their 2019 acquisition of Fiona Tan’s ‘Shadow Archive’ series
Per Kirkeby announced the end of his career as a painter in 2015. His collaboration with BORCH Editions, which dates back as far as 1979, continued nevertheless, and in 2017 he created a series of multi-coloured monoprints in collaboration with master printer Mette Ulstrup.
Per Kirkeby, the most famous Danish artist of his generation, announced the end of his career as a painter in 2015. His collaboration with BORCH Editions, which dates back as far as 1979, continued nevertheless, and in 2017 he created a series of multi-coloured monoprints in collaboration with master printer Mette Ulstrup.
Wardell Milan’s first collaboration with BORCH Editions resulted in a portfolio of eight etchings entitled The Balcony. In The Balcony Milan explores the absurdity of politics, social and political structures, power dynamics and spectatorship and how these forces effect one’s personal existence.
BORCH Gallery Berlin presents a group exhibition of prints by three new collaborators: Marina Adams, Mamma Andersson, and Virginia Overton.
Originally designed as a pop-up exhibition space, BORCHs Butik in Copenhagen has hosted more than 40 solo- and group exhibitions with more than 60 artists since its opening in 2014.
In : tingsted, a series of six new prints published in an edition of 24, the viewers encounter people Tal R knows personally and objects he has a personal connection to – a male figure, flee market finds like masks and toy animals or a flower vase.
Matt Saunders has been working on an ongoing series of landscape etchings since 2015. Often completed in parallel to his other collaborations with BORCH Editions, the series will ultimately comprise six etchings (in an allusion to Wallace Steven’s poem Six Significant Landscapes).
BORCH Gallery Berlin is delighted to present Alexander Tovborg’s amor fati II, a series woodcuts and monotypes centered around the Roman Catholic saint and French national heroine Joan of Arc.
In celebration of the print studio’s 40th anniversary, BORCH Editions are publishing four prints by four artists who have built comprehensive bodies of printed work in collaboration with the printmaking studio. Tal R’s print Lillen, a combination of woodcut and etching, was printed by master printer Julie Dam.
At IFPDA Fine Art Print Fair 2019, we present recent editions and monotypes by Marina Adams, Mamma Andersson, Georg Baselitz, Tal R, and Matt Saunders.
For her first collaboration with BORCH Editions Mamma Andersson created a suite of three prints, combining woodcut and etching on Japanese paper.
In the exhibition Folded Pictures, BORCHs Butik presents recent monotypes and etchings by Matt Saunders.
In celebration of the print studio’s 40th anniversary, BORCH Editions will publish four prints by four artists who have built comprehensive bodies of printed work in collaboration with the printmaking studio. The second contribution, Matt Saunders’ etching Marthe in the Garden, is printed by master printer Thomas Jennions.
BORCH Gallery & Editions present recent editions, monoprints and monotypes by Marina Adams, Mamma Andersson, Georg Baselitz and Fiona Tan alongside new monoprints by Peter Linde Busk and recent monotypes by Matt Saunders and Alexander Tovborg.
Coinciding with Berlin Art Week, BORCH Gallery & Editions present two print projects by Huma Bhabha. In the series ‘Leochicospeedy’, Bhabha combined photogravure with etching techniques. The three portraits from ‘The Unsubs’ are classic black-and-white etchings.
BORCH Gallery & Editions present recent editions, monoprints and monotypes by Marina Adams, Mamma Andersson and Georg Baselitz alongside new monoprints by Peter Linde Busk and recent monotypes by Matt Saunders and Alexander Tovborg.
BORCHs Butik is delighted to present Peter Linde Busk’s most recent print project There Is No Fate That Cannot Be Surmounted By Scorn.
In celebration of the print studio’s 40th anniversary, BORCH Editions will publish four prints by four artists who have built comprehensive bodies of printed work in collaboration with the printmaking studio. The first contribution, an etching made from two plates by Georg Baselitz, is printed by master printer Mette Ulstrup.
Peter Linde Busk’s universe is a dark underworld inhabited by fabulous figures. He examines the border between abstraction and figuration, referring to literary and mythical as well as contemporary fictional characters.
This summer BORCHs Butik is presenting a group exhibition centred around the topic of pairs, drawing from the print studio’s extensive archive of classic print projects as well as from some of our most recent editions and monotypes.
BORCH Editions is delighted to present two new photogravure projects by Fiona Tan. The exhibition Ideas of Utopia in BORCHs Butik is part of Copenhagen Photo Festival 2019.
A strange glow pervades Fiona Tan’s Shadow Archive, illuminating a well-organized collection of endless archival drawers. The starting point for the series of six black-and-white photogravures originates from Tan’s fascination for the Belgian visionary Paul Otlet (1868–1944), and his ambitious idea to catalogue all human knowledge in order to build world peace.
BORCH Gallery & Editions present new monotypes by Matt Saunders alongside recent editions by Marina Adams and Fiona Tan, as well as a series of linocuts by Asger Jorn from the 1930s.
In a conversation with master printer Niels Borch Jensen, Tal R describes his relationship to printmaking.
Duets (2018–2019) is a suite of monotypes created by transferring both sides of watercolors made on linen simultaneously to paper. The prints carry the weave of the fabric as well as the subtle symmetries and asymmetries of front and back.
On occasion of BORCH Edition’s 40th anniversary, we are delighted to open an exhibition in collaboration with the Royal Danish Embassy in Berlin. The presentation brings together print projects by five renowned Danish artists who have been collaborating with BORCH Editions throughout the past 10 to 40 years.
A strange glow pervades Fiona Tan’s Shadow Archive, illuminating a well-organized collection of endless archival drawers. The starting point for the series of six black-and-white photogravures originates from Tan’s fascination for the Belgian visionary Paul Otlet (1868–1944), and his ambitious idea to catalogue all human knowledge in order to build world peace.
The conversation between Matt Saunders and Jacob Proctor (curator, Museum Brandhorst, Munich) reveals the ideas and the processes behind Saunders’ collaboration on a series of monotypes with BORCH Editions.
Tal R started working at the print studio while still studying at the art academy. In a conversation with master printer Niels Borch Jensen, Tal R describes his relationship to printmaking.
For the aquatints,“I utilized both sugarlift and spitbite aquatints in these prints, creating rich, dense, flat shapes as well as textured surfaces and brushmarks. Then we began to proof them, experimenting with different colored inks, both opaque and transparent. After the initial proof, I began to see the possibilities of working on other plates with the intention of overlaying one on top of the other, playing with combinations of drawing, color and touch.”– Marina Adams
BORCHs Butik is delighted to present a very special series of prints. Originally conceived as a means to support upcoming Berlin artists (hence the portfolio’s name Stützmappe, which translates as Support Portfolio), this series of 13 works is a remarkable testimony to the vibrant atmosphere of the 1990s Berlin art scene.
BORCH Gallery & Editions is pleased to present Duets, an exhibition of new works by Matt Saunders. Centered around a series of monotypes, the exhibition extends Saunders’ ongoing collaboration with BORCH to encompass new ways of working with print and situates the artist’s print work into the larger context of his practice in painting and video.
BORCH Gallery is delighted to welcome Jan Svenungsson for a conversation with Dr. Andreas Schalhorn, Kupferstichkabinett Berlin, and Niels Borch Jensen about Svenungsson’s book ‘Making Prints and Thinking About It.’
Gain a unique insight into the world of printmaking when Rasmus Urwald (Edition Copenhagen) and Niels Borch Jensen (BORCH Editions) join to talk about their many years of experience from their two world-renowned print studios in Copenhagen.
Jacob Thage, director of Museum Jorn, Silkeborg, and Niels Borch Jensen talk about the reappearance of 52 Asger Jorn lino plates after more than 70 years and what significance they have in the context of Asger Jorn’s wider oeuvre.
BORCHs Butik is delighted to present the results of Marina Adams’ first collaboration with BORCH Editions. For our first collaboration with American artist Marina Adams, she made two suites of prints: a sequence of nine black and white etchings and a series of nine aquatints.
The four prints Fiona Tan created for her first collaboration with BORCH Editions are paired in two. Each pair comprises of an image of the sky above Los Angeles coupled with a print of encrypted hand drawn letters.
BORCH Gallery is delighted to welcome Jacob Thage, director of Museum Jorn, Silkeborg, DK, for a conversation with Niels Borch Jensen. The talk will revolve around the reappearance of 52 Asger Jorn linoleum plates after more than 70 years and what significance they have in the context of Asger Jorn’s wider oeuvre.
A suitcase containing 52 linocuts, created by Asger Jorn between 1933 and 1939, was found a few years ago in his brother’s basement in Denmark. Jorn had asked him to look after it for him and it only resurfaced more than 70 years later.
BORCHs Butik is delighted to present two series by Huma Bhabha in the exhibition Leochicospeedy.
Alexander Tovborg’s recent woodcuts and monotypes focus on the myths surrounding the French saint Joan of Arc.
Alexander Tovborg’s recent woodcuts and monotypes focus on the myths surrounding the French saint Joan of Arc. A woodcut is a relief print where areas of the wooden plate’s surface are cut away to reveal the motif. The ink is applied only on the remaining parts of the plate’s surface. Tovborg’s woodcuts are printed from several plates building the image from different layers of color.
