Ragnar Kjartansson’s first collaboration with BORCH Editions simultaneously marks his first exposure to the medium of printmaking. It resulted in a suite of twenty-five etchings and seven large-scale woodcuts.
The suite of twenty-five etchings is a collection of self-contained vignettes; poetic, comical, sometimes absurd scenes combining image and text. He collects scribbles and words in a notebook he is carrying with him wherever he goes. In his etchings, Kjartansson transfers the carefree, spontaneous attitude of his scribbles into permanent traces on copper. These are personal moments transferred into the medium of the multiple.
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