The Armory

The two print series King’s Cross and The Armory mark Kirsten Everberg’s first encounter with the medium of etching. In her paintings, Everbeg creates plasticity by applying thick layers of shiny, liquid paint in many colours creating a shimmering illusion of space. In her aquatint etchings, she achieves a similar effect using just one colour, by repeated application of liquid, transparent aquatint tones that she then breaks down again with open bite. The strategy is like a reversal of her painting praxis, removing, digging away, rather than building up material.

Kirsten Everberg

Field and Staff Room, 2010

Print technique
Aquatint Etching
Paper
Hahnemühle Bütten 350g
Dimensions
Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
Edition
Edition of 24
Registration no
KiE 10 004-1
Printer
Printed by Mette Ulstrup
Publisher
Published by Niels Borch Jensen Editions

Signed and numbered by the artist

Kirsten Everberg

Corridor, 2010

Print technique
Aquatint Etching
Paper
Hahnemühle Bütten 350g
Dimensions
Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
Edition
Edition of 24
Registration no
KiE 10 005-1
Printer
Printed by Mette Ulstrup
Publisher
Published by Niels Borch Jensen Editions

Signed and numbered by the artist

Kirsten Everberg

Library, 2010

Print technique
Aquatint Etching
Paper
Hahnemühle Bütten 350g
Dimensions
Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
Edition
Edition of 24
Registration no
KiE 10 006-1
Printer
Printed by Mette Ulstrup
Publisher
Published by Niels Borch Jensen Editions

Signed and numbered by the artist

Kirsten Everberg

Field and Staff Room, 2010

Print technique
Aquatint Etching
Paper
Hahnemühle Bütten 350g
Dimensions
Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
Edition
Edition of 24
Registration no
KiE 10 004-1
Printer
Printed by Mette Ulstrup
Publisher
Published by Niels Borch Jensen Editions

Signed and numbered by the artist

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