The Armory
The two print series King’s Cross and The Armory mark Kirsten Everberg’s first encounter with the medium of etching. In her paintings, Everbeg creates plasticity by applying thick layers of shiny, liquid paint in many colours creating a shimmering illusion of space. In her aquatint etchings, she achieves a similar effect using just one colour, by repeated application of liquid, transparent aquatint tones that she then breaks down again with open bite. The strategy is like a reversal of her painting praxis, removing, digging away, rather than building up material.
Kirsten Everberg
Corridor, 2010
- Print technique
- Aquatint Etching
- Paper
- Hahnemühle Bütten 350g
- Dimensions
- Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
- Edition
- Edition of 24
- Registration no
- KiE 10 005-1
- Printer
- Printed by Mette Ulstrup
- Publisher
- Published by Niels Borch Jensen Editions
Signed and numbered by the artist
Kirsten Everberg
Field and Staff Room, 2010
- Print technique
- Aquatint Etching
- Paper
- Hahnemühle Bütten 350g
- Dimensions
- Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
- Edition
- Edition of 24
- Registration no
- KiE 10 004-1
- Printer
- Printed by Mette Ulstrup
- Publisher
- Published by Niels Borch Jensen Editions
Signed and numbered by the artist
Kirsten Everberg
Library, 2010
- Print technique
- Aquatint Etching
- Paper
- Hahnemühle Bütten 350g
- Dimensions
- Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
- Edition
- Edition of 24
- Registration no
- KiE 10 006-1
- Printer
- Printed by Mette Ulstrup
- Publisher
- Published by Niels Borch Jensen Editions
Signed and numbered by the artist
Kirsten Everberg
Corridor, 2010
- Print technique
- Aquatint Etching
- Paper
- Hahnemühle Bütten 350g
- Dimensions
- Paper size 45.5 x 53 cm – Plate size 29.5 x 39.5 cm
- Edition
- Edition of 24
- Registration no
- KiE 10 005-1
- Printer
- Printed by Mette Ulstrup
- Publisher
- Published by Niels Borch Jensen Editions
Signed and numbered by the artist