{"id":12110,"date":"2023-08-16T08:58:52","date_gmt":"2023-08-16T08:58:52","guid":{"rendered":"http:\/\/borcheditions.com\/?p=12110"},"modified":"2023-08-17T09:45:01","modified_gmt":"2023-08-17T09:45:01","slug":"trine-sondergaard-blindside","status":"publish","type":"post","link":"https:\/\/borcheditions.com\/on-view\/trine-sondergaard-blindside\/","title":{"rendered":"Trine S\u00f8ndergaard | Blind Side"},"content":{"rendered":"\n
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Blind Side I, 2023<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Trine S\u00f8ndergaard\u2019s images are deceptively simple, offering a quiet repose for the viewer.<\/h2>\n\n\n\n

S\u00f8ndergaard is interested in untold stories, the hidden and unseen \u2013 and in granting these stories visibility and significance.<\/p>\n\n\n\n

Her photogravure series Blind Side<\/em> are refined, serene images of what appears to be a totemic minimalist sculpture, captured from different angles. The images actually depict a bonnet stand which she discovered in the collection of the Gudhjem Museum on the island of Bornholm, Denmark. Photographed in black and white and without the usual adornment, the stand becomes a mask-like object to be contemplated in its stillness and austerity. <\/p>\n\n\n\n

The deep velvety tonal range of Blind Side<\/em> is achieved through photogravure, a printmaking technique with a particularly haptic presence and one of the earliest ways of transferring a photographic image onto paper. The prints were conceived for S\u00f8ndergaard\u2019s 2023 solo exhibition Blind Side<\/em> at umbrella west coast exhibitions in N\u00f8rre Nebel, Denmark.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Blind Side I-V, 2023, full series of 5 photogravures, installation view <\/figcaption><\/figure>\n\n\n\n
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Preparing the photogravure plate for Blind Side V<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Trine S\u00f8ndergaard reviewing test prints<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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S\u00f8ndergaard’s Blind Side photogravures are refined, serene images of what appears to be a totemic minimalist sculpture, captured from different angles<\/p>\n","protected":false},"author":8,"featured_media":11800,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[45],"acf":[],"_links":{"self":[{"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/posts\/12110"}],"collection":[{"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/comments?post=12110"}],"version-history":[{"count":0,"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/posts\/12110\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/media\/11800"}],"wp:attachment":[{"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/media?parent=12110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/borcheditions.com\/wp-json\/wp\/v2\/categories?post=12110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}