The three photogravures Boris Mikhailov created in BORCH Editions’ Copenhagen printmaking studio in 2005 reference his photography series Case History (1997–98), a body of work exploring the troubling circumstances of marginalized, homeless people in the Ukrainian city of Krakov after the collapse of the Soviet Union. Mikhailov edited the original photographs by applying paint to their surfaces before transferring them onto photogravure plates, exploring the artistic possibilities of printmaking for the medium of photography.