The vast, seemingly abandoned landscapes Adam Jeppesen depicts in his three photogravures June 19th, October 9th, and October 10th give no hint to their geographic location. Their titles only point to the date of their creation. Traces like an empty path or a faraway column of smoke merely suggest human presence. The light, almost translucent application of ink in the photogravures underlines the solitude of the landscapes. They seem dreamlike and detached from time and space, offering the beholder a surface for personal mindscapes.