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Jockum Nordström | Etchings
Posted 22.04.24Grotesque figures in old-fashioned clothes, equipped with props such as top hats and pipes, inhabit dream-like spaces whose proportions do not obey the laws of the physical world.
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Grotesque figures in old-fashioned clothes, equipped with props such as top hats and pipes, inhabit dream-like spaces whose proportions do not obey the laws of the physical world.
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Maria Wæhrens’ artistic impulse stems from those layers of consciousness that elude language and are difficult to grasp through the means of figurative art. Wæhrens draws from sources that go beyond what is intellectually comprehensible – the body, emotions, and the subconscious – and transfers them into permanent physical manifestations.
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Like in his paintings, Eriksson’s choice of colours radiates intention. Nevertheless, the etching’s colour palette is surprising, ranging from soft, muted pastel shades to strikingly bright, almost neon-like tones. The patchwork of colour fields can be read as geological forms, patches of grass, bushes, or trees; the overall composition evokes a sense of the landscape.
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While Tal R’s 2023 woodcuts are not directly related to each other, they share a common motif: all three prints depict ephemeral natural phenomena that are either barely perceptible or might normally escape our attention.
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Ann Lislegaard created the imagery for her photogravure Animoid with the help of AI language models. Using text, Lislegaard prompted the software to generate an image. Instead of presenting BORCH Editions’ printmaking studio with a final version of this image, she kept adjusting it during her exchange with the master printers, discussing different versions and integrating their feedback into later versions.
Showroom
BORCH Editions’ presentation of prints by Tacita Dean features ‘Telomere 4’, a large-scale photogravure with screenprint created for her 2023 exhibition at the Pinault Collection’s Bourse de Commerce in Paris, alongside a selection of other recent printmaking projects.
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Purgatory, the second book of Dante Alighieri’s The Divine Comedy, describes Dante ascending Mount Purgatory on his journey towards heaven. After Inferno (2017-18), a two-year printmaking tour de force that resulted in an extensive portfolio […]
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In Nordic Design, a series of multi-coloured woodcuts, Idun Baltzersen depicts interior scenes from her own home, populated by the nuclear family that is herself, her partner and their child.
Art fairs, News
BORCH Editions’ Frieze London 2023 booth features Tal R’s Weather Report, his first ever endeavour into monotype printmaking. The presentation also includes recent printmaking projects by Tacita Dean, Ragnar Kjartansson, Jockum Nordström, Trine Søndergaard, and Fiona Tan.
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Tacita Dean’s photogravure project The Russian Ending is part of the comprehensive group exhibition Dix and the Present at Deichtorhallen Hamburg’s Hall for Contemporary Art.
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Considering Tal R’s productivity and willingness to experiment, it is all the more notable that Weather Report is his first exploration of monotypes. His Weather Report monotypes depict the felled trees, light and colours of an eye-shaped clearing in a Danish forest.
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In Ragnar Kjartansson’s hands, monotypes become an artistic tool for investigating a visual idea in the form of a series, exploring a theme and its variations to the point of […]
Showroom
Nordic Design, a series of four woodcuts by Idun Baltzersen, is now on view in BORCH Editions’ Copenhagen showroom.
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Ragnar Kjartansson’s woodcut Creative Space is a humorous take on workplace dilemmas and privileged 21st century uneasiness. While becoming an artist, Kjartansson spent several years working in advertising. The large-scale […]
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Søndergaard’s Blind Side photogravures are refined, serene images of what appears to be a totemic minimalist sculpture, captured from different angles
Art fairs, News
BORCH Editions’ CHART 2023 participation features recent prints by Nordic artists Ragnar Kjartansson, Jockum Nordström, Trine Søndergaard, and Alexander Tovborg. The presentation will furthermore include Fiona Tan’s 2022 Technicolor Dreaming prints.
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The barren landscape in Kjartansson’s etchings is at once frighteningly lonely and strikingly beautiful.
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The Tacita Dean’s photogravure DANTE accompanies the release of the music score DANTE by Thomas Adès.
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Tacita Dean describes Telomere 1–4 as a ‘found mark project’, where she traced, copied, and accumulated the scratches over the four prints. The images of the four pieces that make up Tacita […]
Showroom
For her etchings and monotypes, Emma Kohlmann draws on an archive of figures and motives she has developed in her practice as a painter.
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Emma Kohlmann draws on an archive of figures and motives she has developed in her practice as a painter.
Art fairs, News
Tacita Dean
Andreas Eriksson
Ragnar Kjartansson
Jockum Nordström
Fiona Tan
Video
Fiona Tan discusses the relevance of physical materials in an interview with Nanna Rebekka for Louisiana Channel. The interview was recorded at BORCH Editions in Copenhagen, Denmark in November 2022, while Tan was working on Technicolor Dreaming, a series of six photogravures / etchings.
Art fairs, News
BORCH Editions’ 2023 Market presentation will feature prints by Idun Baltzersen, Andreas Eriksson, Per Kirkeby, Jockum Nordström, and Fiona Tan.
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Nordström’s prints tell mysterious, melancholic and humorous narratives, offering glimpses into an internal dialogue collaged from the artist’s own lived experience.
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For Meditation Copenhagen, a suite of twelve etchings, Jorinde Voigt limited herself exclusively to the drypoint technique.
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The characters in Anna Stahn’s universe appear carefree and removed from the problems of contemporary life.
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Fiona Tan’s Technicolor Dreaming photogravures are informed by her interest in early filmmakers’ obsession with colour.
Video
Marc-Christoph Wagner met Wardell Milan for Louisiana Channel while working on ‘The Balcony’ which sheds light on recent social and political developments in the United States and the world as a whole.